First the making – I recalled my father’s words: the cure for many ills is to build something – and then the repetition, the going over and over so that time would rupture and be stopped in its flow … Since my past and my future were hitched to my son’s life sentence, I felt that if I stepped outside the present I risked being turned to stone.
Erica Marsden’s son, an artist, has been imprisoned for a monstrous act of revenge. Trapped in her grief, Erica retreats from Sydney to a sleepy hamlet on the south coast, near where Daniel is serving his sentence.
There, in a rundown shack by the ocean, she obsesses over building a labyrinth. To create it – to navigate the path through her quandary – Erica will need the help of strangers. And that will require her to trust, and to reckon with her past.
The Labyrinth is a story of guilt and denial, of the fraught relationship between parents and children. It is also a an examination of how art can be ruthlessly destructive, and restorative. Mesmerising yet disquieting, it shows the author to be at the peak of her powers.
by Amanda Lohrey